Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.  Related Paintings of Paolo Veronese :. | The finding of Moses | The Coronation of the virgin | The Wedding at Cana, | Allegory of Love,III | Mars und Venus |
Related Artists:
Steven van der Meulen
(b. eAntwerp - d. London, e1563-64) was a Dutch artist active c. 1543-1564. He gained prominence in England in the first decade of the reign of Elizabeth I as one of many Flemish artists active at the Tudor court. He is best known for the "Barrington Park" portrait type of Elizabeth I and for three-quarter length portraits of members of the English court in the first half of the 1560s. A recently discovered will indicates that he died in London between October 1563 and January 1564.
Pieter Bruegel
c.1525-69 Greatest Netherlandish painter of the 16th century. Not much is known of his early life, but in 1551 he set off for Italy, where he produced his earliest signed painting, Landscape with Christ and the Apostles at the Sea of Tiberias (c. 1553). Returning to Flanders in 1555, he achieved some fame with a series of satirical, moralizing prints in the style of Hiëronymus Bosch, commissioned by an Antwerp engraver. He is best known for his paintings of Netherlandish proverbs, seasonal landscapes, and realistic views of peasant life and folklore, but he also took a novel approach to religious subject matter, portraying biblical events in panoramic scenes, often viewed from above. He had many important patrons; most of his paintings were commissioned by collectors. In addition to many drawings and engravings, about 40 authenticated paintings from his enormous output have survived.
Johann Heinrich Hintze
painted Berlin, Altes Museum von der Schlossfreiheit aus in 1832